Julie Cavendish comes from a family of great Broadway actors. Her mother Fanny staunchly continues acting. Her boisterous brother Tony is fleeing a breach of promise suit in Hollywood. Her daughter Gwen must decide between going on stage, or settling down in a conventional marriage. Julie is just thinking that it would be nice to retire and get married, when who should turn up but her old beau, Gilmore Marshal, the platinum magnate from South America.

Peaks and Valleys is a feature-length documentary following Nick Noble and Rebecca Beitner in their directorial debuts as they navigate the highs and lows of Type 1 Diabetes and the Vancouver Island Trail (VIT), in the traditional territory of the Coast Salish, Nuu-Chah-Nulth, and Kwakwaka'wakw people. The VIT is a new trail, and Nick and Becca are among the first hikers to attempt to hike the route in one six-week trip. The story of Nick's experience with diabetes throughout his life is interwoven with the challenges of managing it in a backcountry environment, bringing information and insight about a chronic health condition that is reasonably common yet misunderstood by many people. The mountains, forests, and coastlines of Vancouver Island are brought to life by original art, animation, and photography by the filmmakers, both of whom are multidisciplinary visual artists. Peaks and Valleys will appeal to lovers of nature, adventure, art, and disability justice.

Ah Dai comes from a family that runs a prestigious orthodox temple. His childhood sweetheart, Yufan, is desperate to locate her missing aunt. In his attempt to help, Ah Dai agrees to participate in a special ritual that his schoolmates believe could help them seek assistance from the gods to grant their desires. However, they are lured into praying to evil forces instead. As his schoolmates die one after another, Ah Dai tries to use his gift to exorcise evil to save his friends. At the very end, he faces a completely demonized Yufan and must fight her to save the neighborhood.

Pro Wrestling NOAH caps off a thrilling year with their final Budokan event of 2005.

Even after returning to your home, you are not immune from speculation, condemnation and reprisals.

A collection of short shorts, a dozen or so short episodes and gags in 32 minutes. From the hilarious to the thought-provoking, all of the short films have an urban sense of humour, especially the second half, "My right hand, my left foot and the back of my head at the age of 23", which is full of wit and humour, firing like a machine gun. In the latter half of the film, the witty monologue and the rhythmical development of the images are beautifully synchronized, and the light but flexible "23-year-old me" speaks eloquently of his existence. Many of the film's gags are made up of deformed gags about the funny things that happen in the daily life of the author, a student, and the uniqueness of the characters makes this a film that will be loved by many people.

Shot on Mount Tamalpais, a spatial matrix replaces temporal causality with contiguous space. A view of landscape is taken apart, to be reconstituted through memory. The grid, a reference to the “veil of threads” invented by Albrecht Dürer as an aid for perspective drawing – to transfer vision to a sheet of paper – is used for an opposite effect – to disperse a landscape across time. The viewer is asked to remember the space as it passes and reconstitute it from memory, actively connecting the image across space and time.

Philippe Seigner starts his career in business consulting at the posh Paris seat of McGregor. His first serious task is delicate: An audit at a factory, which is about to be taken over. As he soon realizes, this will mean sacking about 80 employees. However, his girl friend reproaches him collaborating with ruthless capitalism, as if any of the downsizing could be mitigated by him bowing out.

In the midst of a strike, people find their liberty limited by the walls of their homes. In these micro-worlds there are no rules nor conventions and home becomes a white canvas where anyone can rethink life and its nonsense.

The year is Cosmic Era 73. The Bloody Valentine War, fought between the PLANT space colonies and the nations of the Atlantic Federation, has ended and an uneasy truce has settled upon the Earth sphere. With the signing of the Junius Seven Treaty, the world's soldiers have left the battlefield and the grizzly sights of war behind. Many who fought now seek peace and refuge in the shelter of civilian life. But one boy, Shinn Asuka, is finding that incredibly hard. A Coordinator who lost his entire family during the Battle of Orb, he now fights with ZAFT in one of their newest machines, the ZGMF-X56S Impulse. Of course, ZAFT is only developing these machines for defensive applications - or so they claim - but when a group of Federation operatives steal some of these prototype machines, the world is once again plunged towards war.

P Se PM Tak (Prostitute Se Prime Minister Tak) is a political satire on modern Indian politics. A penniless prostitute arrives in a town where a by-election is taking place and gets caught up in the politics, eventually becoming chief minister

Very short animated film from Japan, using cut-outs in the style of Lotte Reiniger.

In this experimental animated short, Ryan Larkin (Walking) creates a series of figures who move across the screen and disappear into a hole. Eventually, the hole metamorphoses into a bridge, on top of which stands the young man from whom the others figures originated.