I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.

Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Shiva is blessed with magical powers of charming snakes. When he meets Paro from a nearby village, he falls head-over-heels in love with her. She is also attracted to him. But Paro's dad, Choudhry Charanjit Singh is not pleased with this match, and he hires men to subdue and kill Shiva, all in vain. Then Shiva attempts to rescue Paro from a shape-changing snake, and this earns him the wrath of his mate - another shape-changing snake, who will not rest until Shiva is dead. {this is not the actual story of the film}

"We Lived in Grass" (1995) is a student film and Hykade's first part of The Country Trilogy. The set of the film is a place just two streets away from the end of the world. The film is told from the point of view of a little boy. "All women is whore and all men is soldier," the father of the boy says. "So go into Grass and kill a tiger for the best tits you can find." As the father gets testicular cancer, a journey into Grass for the young hero begins. We lived in Grass won numerous awards including the German short film Price.

Witness a remarkable coming-of-age story as we track a young leopard's journey from rookie to royalty in South Africa's lethal Big Five landscape. When we first meet Jack, he's clumsy, fearful, and weak, but he's a fast learner - and he'll need to be. He's destined for a showdown with the area's current leopard monarch, an alpha male with a real mean streak. We follow Jack as he hones his skills and builds up muscle for the ultimate catfight. It's a battle where only the winner will walk out alive.

Military farce starring Harald Juhnke and Gunther Philipp.

The multi-millionaire John Underhower travels from New York to Bavaria, where he’s bought a castle. The reason? He wants to prove there’s ghosts in the old building. John represents himself as a poor circus performer to his unsuspecting cousin Hyronimus, who works as a tour guide at the fortress. And Hyronimus has no shame in pretending to John, that he’s the proud owner of the castle. This little game soon leads to a lot of complications.

Billy and Sheena visit their Uncle Harold on an island in the Caribbean, but while exploring under water they find something terrible lurking deep below the sea.

A bar in Shinjuku 2-chome. Toru is the manager of this bar, but one day, the owner, Ishii, suddenly passes away. The bar is to close, and Toru receives a list of regulars from Takano, the accountant, and decides to start a journey to collect retirement benefits. Together with Kenichi, the bar's number one, they borrow Ishii's old car and set off to northern Kanto. First up is Sato, a company president with a foot fetish. Although married, he can't stop playing around with men, and whenever he comes to Tokyo, he requests Kenichi. In order not to let the people around him know, he gives Kenichi more money than the tab. Next is Yamamoto, a city council member in the local assembly. A born sadist, he likes to tie Kenichi himself or have a young bondage artist tie him up, and then watch it happen. Kenichi continues on his journey, but he has another goal: to meet Shouji, a man he used to date...

This is an adaptation of the novel "The Hunchback of Notre Dame" by Victor Hugo, produced by Burbank Films Australia.

An introverted office drone tries to navigate through corporate America, and one tragic day he meets his match. He then realizes he needs to play the capitalistic game in order to survive. His pain and confusion is your laughter.

Shoreline images: first small breakers and the swirls they leave, then water running up the shore on a sandy beech, then water hitting pebbles and rocks. The second half is a close look at a sluggish eddy of seaweed, moving to and fro on the surface, like sodden twigs. The ocean's tide creates patterns of small surges and circles. The music of the soundtrack is more dramatic than the more gentle movements of the seaweed. Final closeups show the bulbs and leaves of the plants, then the tide takes over.

Abused and disturbed Jakan Heisenberg goes through a series of unnerving, crippling events that turn him into a Monster