Ever since getting off a prestigious cable television series, Frank Cooper has been coasting through life distracting himself with women, booze and blow, while auditioning to play stereotypical gang members and drug dealers. But the minute he meets Mali Waters, a sports agent living for the present, his whole world changes.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.

Ofka has fallen into a strange lethargy: while most of her high school classmates continue their studies, she refuses to leave the deceptive comfort of childhood, which is quickly turning into a stifling trap. She works in her brother-in-law Eda's 24-hour shop and lets the fragments of wasted lives of regular and random customers, as well as those of her old friends who, like her, only really live at night, flit around her. Sometimes she drops in on a group drinking in the Vltava harbor, wanders the streets with the eccentric Ubre, who is fascinated by fishing discarded items out of trash cans and hopelessly in love with her, and avoids Míra, who, on the contrary, has stopped loving her. However, it is becoming increasingly clear to her that one day she will have to say goodbye to her childhood, cross the borders of her native neighborhood, and start doing something with her life...

Three men explore how everyone brings different prejudices into dating.

Based on a polemic novel by Amy Yamada, Bedtime Eyes is about the intense love relationship between a second rate Japanese jazz singer and a black American GI on the margins of the law.

A woman raises mink to get the coat she's always wanted.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

A young woman is troubled by vivid sexual dreams triggered by her experiences as a trainee nurse.

When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.

Filmed in January 2011 at the Royal Concert Hall in Glasgow as part of the annual Celtic Connections festival, this superb performance by The Richard Thompson Band is their first to be shot in high definition. The first half of the show focuses on Richard’s recent “Dream Attic” album with the second half given over to songs reaching back as far as his debut solo release “Henry The Human Fly” and up to more recent projects such as “Sweet Warrior” and “The Old Kit Bag”. Thompson’s distinctive voice and unmistakable guitar style are well to the fore and, as ever, his band are as good as it gets.

A young girl's beguilement by technology and her ultimate escape from it.

Three "retired" punks with wilted mohawks and their corpulent female companion spend their time drinking beer and chatting, uncompromisingly condemning Western civilization. Since they claim that freedom is their highest imperative, they decide to kidnap Kisoro, a teenage gorilla from the zoo, "so she can menstruate freely." However, after the "rescue mission," they begin to prostitute her in zoophilic porn on the internet...

Two American G.I.s visiting Tokyo find themselves mixed up with espionage, a pretty flight attendant, a mad scientist, geisha girls, and a goofy magician-hypnotist and his white rabbits.

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”

An undercover agent masquerades as a mysterious man to catch a group of smugglers red-handed and expose their corrupt activities.

Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to the world they once knew.

On April 6, 1997, a group of six occult-inspired teenagers from Kentucky and a family of picnicking Jehovah's Witnesses were brought together by fate. A few minutes later, the family was dead, and the teenagers were headed for Mexico.