The film was in the making for more than fifteen years.[1] Sukumaran says this movie was a childhood ambition, a destiny. His devotion to Sree Narayana Guru is what promted him to make this movie. Over 2000 hand drawn images constitute the story board. Mohanlal was initially cast as "Swami Vivekananda", a cameo role in the movie which comes in the flashback, but later on withdrew from the movie due to problems with his shooting dates. The cast includes some of the best in the Malayalam movie industry.

Xavier, a stenographer, finds himself terminated after his boss learns that he lied to him for a leave. However, when the boss learns that Xavier is a cancer patient, he regrets his decision.

Dr. Rohini Pranab , a doctor who runs an NGO and a shelter home for destitute girls, is targeted by human-traffickers. Her shelter home is attacked and all the children are taken. Naveen finds her sister kidnapped right in front of his eyes by the same gang.

Carmen, an independent and modern woman, goes to dinner at her sister Ana's house, a married woman subject to all gender structures. Mateo, Ana's husband, intervenes at dinner and continually clashes with Carmen's way of life.

18 directors, 18 novels, 18 short stories about Moscow...

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Mishima lives in the shadows surrounded by worms in his underground lair. Early one morning, he discovers a rose in the sun in which the beautiful Saiko awakens. Mishima will do everything he can to satisfy her needs. But worms are not supposed to live in the sun...

Hardship, love affairs, murder and apparent betrayal test the enduring friendship of two men (Jeetendra, Sanjay Dutt).

Three Senior police officers in different parts of India, who, well aware of the intelligence that Gandhi’s life in under threat, must take key decisions that would eventually either save the Mahatma, or the country.

The struggle of a teenage boy to assert himself amid the frenetic activity of a large family.

Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.

In this unusual format, entitled "The Night of Bad Taste", Flemish movie director Jan Verheyen did, several years in a row, present a somewhat eccentric movie-buff audience with a long succession of material from pictures that never made it into mainstream, being to gore, obscene, clumsy, grotesque etcetera to make the production work in its genre (in many cases horror) but somehow funny or fascinating in their own right as accidental persiflage, some almost bloopers which surprisingly survived the final cut.

Nanay Xedes runs her whorehouse with an iron fist and expects her employees to obey her rules — the most important of which is that her pimps and prostitutes can never be intimate with each other.

A score of amateur children sing and dance in costume in a multi-act musical revue.

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.