Rintaro (Sometani Shota) returns home for the first time in a while to prepare for and attend his father's funeral. He and his sister are surprised to find that their mother has canceled the catering order, and instead will be making the food herself in accordance with her late husband's will. The first dish she brings out is simply sunny side up eggs, and the attendees are at a loss. Rintaro recalls that this was the first meal his father had cooked for him and his sister.

A ruthless killer (Gary Hudson), hell bent for revenge, escapes prison and vows to kill the Texas Ranger (Sam Jones) who sent him there. With the aid of his two brothers, he set off on an explosive journey to make his tormentor pay the ultimate price, a slow tortuous death.

A father hires an attractive live-in tutor to help teach his son to be more confident around women. Comedy ensues when both father and son fall for her and attempt to sabotage each other’s attempts at romance.

Join your berry best friend, Strawberry Shortcake, and her favorite pals, on another fun adventure - and meet some wonderful new fairy friends! Strawberry is thrilled to meet Margalo, the fairy who brings color to all berries - that is, until she learns from her pets that Margalo just wants to goof off and let Strawberry and the others take care of her! Then, when a nice fairy named Sherry Bubble Berry is blown off-course by a strong wind, it's up to Strawberry to get her home and warn the other fairies that a flood is coming!

Lalou works as a shepherd in the mountains with his friend Clara, who came to take care of the herd before her leaving for the army. Next day, Lalou goes to a remote hotel where he secretly meets up with Harmony, an android he madly loves.

The Paragraph Man is the faltering, stumbling, comic, sad and tragic story of an immigrant youngsters journey towards sociopolitical awareness, a very first attempt to understand his true situation as an immigrant in post-colonial Sweden.

Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.

A portrait of teen escort, 'Coco'.

A young man who has been beaten, abused, humiliated and laughed at all his life finds that he has an unusual empathy with snakes. He can talk to them and they understand him, and eventually he finds that he can get them to do his bidding. He decides to use his newfound friends to take his revenge on everyone who ever did him wrong.

In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'Avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palme d'Or for Best Short Film in 1960. This quiet and intelligent film is a remarkable interpretation of a young monks perspective into a world of meditation, sacred geometry, and coming of age. A tribute to Buddhism, introspection and the wonders of nature...a short but lasting work of art.

A dog wants to buy a new hat from his local tailor (who is a cat). A story about why cats and dogs dosen't like each other.

Vasantasena, a courtesan who dances at the King Palaka's court hides in Charudatta's house while running away from the amorous attentions of the king's brother-in-law. She falls in love with Charudatta, though he is married and penniless.

Follows Tulse Luper as he is swept into the ill-fortuned tides of the 20th century and forced to spend his life in a succession of imprisonments.

Stephen Torino, who is tricked by his brother Marco into an arranged marriage with tempestuous Annie Caldash. Annie is willing to give the union a go, but Torino wants none of it.

Drifting clouds. They are not nice little clouds that invite us to interpret them symbolically; rather they are poisonous and unhealthy clusters, a skin rash of the sky, an impenetrable gray curtain of smog. This is a trailer of impressive tranquility and simplicity. A second look, however, opens up new dimensions: Are there not – as so often the case in Gehr’s work – unsuspected, amorphous forms that manifest themselves? Has an event scurried quickly past us while we were still busy discovering the mysterious in the seemingly obvious? In fact, these are two trailers in one: a palimpsest of the cinematographic pleasure of mystification.