Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.

A depressed woman, Barbara, is on the verge of suicide while a man she meets in a church and a married couple try to convince her that life is worth living.

When a suburban couple goes camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

The idea is simple / A married woman and a single man meet / They love, they argue, fists fly / A dog strays between town and country / The seasons pass / The man and woman meet again / The dog finds itself between them / The other is in one, / the one is in the other / and they are three / The former husband shatters everything / A second film begins: / the same as the first, / and yet not / From the human race we pass to metaphor / This ends in barking / and a baby's cries / In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin." - JLG

A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

Tells the "riches to rags" story of the Nobles, three upper-class twenty-somethings that appear to have no limits to their checkbooks, and no direction in their lives. Until one day, their father tries to teach them a lesson by staging a financial scandal that forces the whole family to escape to an old house in the poor side of town, and leads the "kids" to do what they haven't done before: get jobs.

An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in his mom's basement. But things didn't go as planned after his half sister joins him.

Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.

This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.

A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.

The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.