Titles in French and English help us know what we're seeing. In all waters, daphnia abound. They are crustaceans about 2 ml long, with one eye that turns in all directions. Antennae enable daphnia to move: in a close up magnified 150,000 times, we see the muscles of the antennae pulse. We see the eye, the nerve mass, blood globules, and the heart, beating several times per second. The intestine forms a long line. All are females; eggs develop above the intestine. New generations come rapidly. Inside each daphnia are tiny infusoria; we watch them clean the intestine of a dead daphnia. An enemy, the hydra, approaches. A daphnia dies, but many remain.

This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.

Picking up right where the original ended, Marybeth escapes the clutches of the swamp-dwelling killer Victor Crowley. After learning the truth about her family’s connection to the hatchet-wielding madman, Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher.

Created in-camera in Marfa, TX on a freezing day in January on expired film with my Bolex while the sun was setting.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Mike Hilton served eight years in prison for being innocent. When he is released from prison early, he wants revenge on the men who were responsible. But the ex-commissioner in charge at the time, Jack Bellamy, has given in to drunkenness. And Mike's lawyer Cunningham continues to make crooked deals. He holds the key to solving the case. When Bellamy picks himself up again, he and Hilton are able to bring Cunningham and the gangster Whity to justice.

A boy and a girl coming from different worlds fall in love. When summer is over, they will face the shackles of their normal routine and discover what binds them and what breaks them apart.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

A young woman loses her father unexpectedly. Even though she wants to dissociate herself from everything, her father's house needs to be packed. While she gets stuck between her father's belongings and memories, her relationship with the house starts to have its own ups and downs. The grieving process begins to take shape, influenced by the spirit of the house.

A hungry spider is trying to catch a fly for dinner. Both pull pranks on each other until the fly is finally caught.

A lecturer on domestic difficulties, having previously discussed the subject from a woman's viewpoint, now proceeds to present the man's perspective. He emphasizes that he wishes to avoid generalizations that would apply to all women. Instead, he plans to present a series of sketches that illustrate possibly isolated examples of some of the ways that particular women have baffled or frustrated their husbands by their behavior.

Savitri (Moushumi Chatterjee) falls in love with Vijay (Mithun Chakraborty), who saves her sister from a dacait named Shamshera (Amrish Puri). Both get very intimate, and then decide to marry. Before the marriage could take place, Shamshera kills Vijay, and Savitri gives birth to a baby boy, but is told that the child was born dead. She then marries Thakur Prem Singh (Navin Nischal), who is responsible for blinding Shamshera in one eye, and sending him to prison. Subsequently Savitri gives birth to another baby boy, Rajesh (Sumit Saigal). Years later, she comes across a young man named Ravi (also Mithun Chakraborty)

LEGO Friends' First Movie Ever! The girls' friendships are tested when mega-popstar Livi comes to Heartlake City. When our friends' hit song "Girlz" is stolen by Livi's manager, it's time for a cunning plan. As the girls try to tell Livi the truth about her latest hit single, they all learn that fame isn't everything and sometimes friendship is the most precious thing in the world. Join Olivia, Stephanie, Emma, Mia and Andrea as they learn one of life's most important lessons while having fun along the way.

In a near future, a callous smuggler hardened by life guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in this inhospitable land.

An ordinary high school student– with an incontinent grandmother and extremely horny dad, are visited by an extremely pretty avatar to preform a “mind transfer” on Grandma. But before too long, Dad’s sniffing round to get it on with the great-shaped avatar.

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.