This Warner Bros. short reviews in an often humorous way the impact of the automobile on the United States. By 1900, the horseless carriage was beginning to have an impact. Early adopters were often the object of attention by large curious crowds. There were many car manufacturers and the quality of their product varied considerably. Traffic jams, pollution and automobile racing were only a few of the outcomes.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

Written by Jose Javier Reyes. Produced by Regal Films. Starring Barbara Benitez, Lito Gruet, and Charito Solis. Opened on February 22, the first day of 1986 EDSA People Power Revolution.

A man who is dissatisfied with his family life leaves home for weeks at a time, drifting from town to town.

Young, innocent, and quirky June (Felicia Day), a violinist, spends her days working in an oddball Venice coffee shop, her nights rehearsing for a professional music career, and all-hours daydreaming about the beautiful man that's destined just for her. When she actually meets him in her own apartment building, she finds out Jack (Chris Henry Coffey) is engaged to the quintessential gorgeous bitch, Quinn (Cindy Dolenc). The conflict ensues and the romance is tested. Whether it's indulging her loony Grandma (Ellen Geer) through rehearsals of her own funeral, or dealing with the overzealous video-store manager (Ted Michaels) and his crush, June stumbles through her potential love life, her best friend Mary at her side.

While scuba diving, Jill's boyfriend Dustin finds a doubloon necklace and the diary of Morganna, a pirate who sailed the coast 200 years ago. With the diary is a treasure map that takes them and their friends Susan and Joe to a mountain cabin. Before setting out in search of the treasure, the four hold a séance using instructions they find in the diary. It brings Morganna and her mate, Captain Tygus, back to life. It's a race for the treasure. Morganna and Tygus will stop at nothing. What about the necklace?

1943 German film.

A young South Seas native boy is sent to the U.S. for his education and returns to his island after his father dies to try to stop a revolution.

Shankar (Mithun Chakraborty) is sentenced to live outside the limits of the city due to a Police case. One day he happens to rescue a woman in distress from some hoodlums and finds out that her name is Namkeen, who resembles a missing multi-millionaire Mohinidevi (Pooja Bhatt). Shankar asks Namkeen to impersonate Mohinidevi to embezzle her wealth. Namkeen agrees to do so, but the question remains: where is Mohinidevi, and what will happen to Namkeen when she is found?

When Galang tries to forget her fiance, fate brings him to Laras, a sweet girl who melts his heart. Unfortunately, Galang's temperament distanced himself from Laras. Not intentionally, Galang successfully beat up Lara's father who he suspected a criminal. Lara's father also had to be hospitalized because of good intentions of Galang who spread peanut butter. Galang and Lara's love increasingly complicated by the presence of a new boarding house residents, Donny. Youth calm but this cunning, guile have a million in his brain to get the heart Laras. Strategy struggle of "muscle" versus "brain" between Galang and Donny grab attention of Laras who was unavoidable. Discos and aided by a motivator psychiatric first-class, Galang trying to control his emotions in order to win the battle against Donny

TELL ME SWEET SOMETHING tells the story of Moratiwa, an aspiring writer who owns and runs a bookstore in the heart of Johannesburg. The bookstore, like her love life, is not experiencing much success. This all changes when she meets and falls in love with the unlikeliest candidate in the world, Nat, a male model, who has never read a book in his life and is desperate to be loved for his mind not his body. Against the odds, they become romantically involved but then Sashi, Nat's now pregnant ex-girlfriend, shows up and sets off a chain of romantic complications into motion.

Tania, a broken-hearted woman, is welcomed to the neighborhood by Catherine and Delilah, the gossiping wives next door. She learns all about their dirty little secrets.

A story about capitalistic corruption in a small village and the personal struggles of Anka (Vera Marinich) as she is pregnant and abandoned by her lover.

TO THE BODY is an ode to resilience, a raw and poetic manifesto of how anxiety and depression is lived in the flesh. From the drama and thriller genre, the short film TO THE BODY tells the story of a woman around her mid 30s who is dealing secretly with anxiety and depression. The entire film is structured in constant loops, reinforced by routine, normal scenarios, close to the single and main character, to denote how centered in her mind she is and how overwhelmingly repetitive her thoughts become. Throughout the film, the main character shows physical symptoms, expressed with contemporary dance gestures, in the search for self-improvement and healing. A call from her body, while feeling and validating every emotion that passes through it, to transcend the mind and come back to the body. This film was made with the main objective of giving shape and body to all the emotions silenced by those people who have suffered and currently suffer from depression or anxiety.