Without Blood
In a frontier landscape at the beginning of the 20th century, gunmen descend on a remote farmhouse, determined to exact revenge. Their target, a doctor — alone with his son and daughter — tries desperately to protect his children. Inevitably, bullets fly.
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Rewind 2: 1996
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Secrets of Palace coup d'etat. Russia, 18th century. Film №1. Testament Emperor
Russia, January 25, 1725. "Give it all...". The emperor's weakening hand was able to write in his will only these two short incomprehensible words that kept Russia in a bloody struggle for the crown for a century.
American Pie: Revealed
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
40
This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.
Rewind 3: The Final Chapter
An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
Life of a Mutt
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
New Kids Nitro
Gerrie, Richard, Rikkert, Robbie and Barry from Maaskantje are in a big fight with the village of Schijndel. When a zombie kills someone from Brabant, things get out of hand.
Eating Out: All You Can Eat
Tiffani attempts to help her geeky but very cute friend Casey find true love - or at least a sexy hunk. Taken under Tiffani’s wing, Casey pretends to be Ryan, Tiffani's hot, straight, stripper ex-boyfriend, in order to seduce the smoldering Zack online, which works, until the real Ryan shows up!
Crimson Forest
Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.
We
"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.
Fast
A balls to the wall action film about Fast, the fastest person alive, who is also named Fast.
The Wrath of Becky
Two years after she escaped a violent attack on her family, 16-year-old Becky attempts to rebuild her life in the care of an older woman -- a kindred spirit named Elena. However, when a violent group known as the Noble Men break into their home, attack them and take their beloved dog, Becky must return to her old ways to protect herself and her loved ones.
Elite Force: B.R.I. - Body Recovery Immmusination
Homeless ex-soldiers from around the world are kidnapped and shipped to a mad scientist in London, England, who has plans to repair, restore and send them on dangerous missions to take vengeance against corruption around the world.
Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo
Acting and Reacting
An early Josh Becker short starting Bruce Campbell with appearances by Ted Raimi, Sam Raimi and Scott Spiegel.
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Asa
Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.
People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.