Money in the Bank was a PPV that took place on July 18, 2010 at the Sprint Center in Kansas City, Missouri and presented by A&E's Criss Angel Mindfreak. The main events were the two 8-man Money in the Bank matches. The Smackdown MiB match featured Big Show, Matt Hardy, Kane, Christian, Kofi Kingston, Cody Rhodes, Drew McIntyre, and Dolph Ziggler. The Raw MiB match featured Edge, Chris Jericho, Randy Orton, Mark Henry, The Miz, Ted DiBiase, Evan Bourne, and John Morrison. Sheamus defended his WWE Championship in a steel cage against John Cena, Rey Mysterio defended his World heavyweight Championship against Jack Swagger, and The Hart Dynasty defended the Tag Team Championship Belts against The Usos.

Over the Limit (2010) was a PPV presented by Axe Hair, which took place on May 23, 2010 at the Joe Louis Arena in Detroit, Michigan. It was the first event promoted under the Over the Limit name. In the main event from the Raw brand, John Cena faced Batista for the WWE Championship, while The Big Show versus World Heavyweight Champion Jack Swagger was the main event from the SmackDown brand. Matches on the undercard included Randy Orton against Edge, CM Punk facing Rey Mysterio, and Drew McIntyre defending the WWE Intercontinental Championship against Kofi Kingston. Other championships defended at the event were the WWE Divas Championship and the Unified WWE Tag Team Championship. The event drew 197,000 pay-per-view buys, and was attended live by 11,000 people. Five wrestlers sustained legitimate injuries during the course of the show.

Payback (2017) is an upcoming professional wrestling pay-per-view (PPV) and WWE Network event, produced by WWE for the Raw brand. It will take place on April 30, 2017 at the SAP Center in San Jose, California. It will be the fifth event in the Payback chronology.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Ferrania is a place, a factory, a brand known all over the world which, for decades, made the history of the still and moving image in Italy. but Ferrania, today, is a wasteland where numerous former workers of the facility live, in search of a new direction.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

A look at hauntings in the great lakes region

Light, color, and correlated sound. A program for the human nervous system.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

This film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

After botching a kidnapping, two criminals hide with their victim in a friends house in the jungle. After one of them rapes the friend's wife, they're left to be eaten by a nearby cannibal tribe.

If you survive the first half with his delicious absurdity, your reward is the second half, on the scenes when he teams up with his "carnal" Marcelo singing American, Cuban and Argentinian music, but ending with a very Mexican serenade. If you ever saw Jorge Negrete singing in a movie you'll laugh to tears when Tin Tan sings. And with the lighting effects, you can see actual flashes of Jorge Negrete until you hear him singing.

When Debbie comes home for Christmas, she and her mother Gayle are forced to confront the truth about their family's past.

What happens in Vegas stays in Vegas... but only if you have a good lawyer. In this witty procedural about people behaving badly, two very different lawyers handle the type of problems that happen after the sun goes down and need to be solved before the sun the comes up.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.