The 1989 WWE Survivor Series was the third annual Survivor Series professional wrestling pay-per-view event produced by the World Wrestling Federation. It took place on Thanksgiving Day, November 23, 1989 at The Rosemont Horizon in Rosemont, Illinois. This was the first Survivor Series event to feature team names. It was also the first Survivor Series to feature four-on-four tag matches instead of five-on-five. The main event was a four-on-four Survivor Series match where The Ultimate Warriors faced The Heenan Family. The undercard also featured Traditional Survivor Series Elimination Matches.

Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.

Namie Amuro's 13th tour, (FEEL Tour 2013) covered 44 venues in Japan. The set list featured only songs released after 2011: Alive, Hands On Me, Sit! Stay! Wait! Down!, Hot Girls, YEAH-OH, Poison, Ballerina, Rainbow, Go Round, make it happen, La La La, Let Me Let You Go, Wonder Woman, Damage, Higher, In The Spotlight (TOKYO), ONLY YOU, Love Story, Supernatural Love, Big Boys Cry, Stardust In My Eyes, UNUSUAL, Neonlight Lipstick, Let’ s Go, Heaven, Fight Together, Can You Feel This Love, and Contrail.

During the Thirty Years' War, Christine, an orphan, falls in love with the colonel Count Merian. In order to always be with him, she puts on men's clothes, becomes a troop boy and later even a cornet - only the sutler knows her secret. Little by little, Christine realizes that the man she loves has been brutalized by the war and is no longer capable of true feelings. When she gives herself to him instead of a peasant maid, she is horrified by his brutality. She shoots him in a duel. She is sentenced to death as a cornet, but acquitted as a woman.

A documentary tracing the history of La Haine, from the real-life shooting that inspired the screenplay to the film’s success at the 1995 Cannes Film Festival.

The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki

A provincial girl who sells pots tries to obtain the bells that the church of her people needs.

After being released from hospital after a surfing accident, Sean meets a girl at a party and falls in love. She draws him into her strange world and confesses that she follows an unusual diet: she only eats... nail clippers! Sean loses his head and decides to help her realize her dream of opening a bar for other nail-clipper eaters.

The story of motor racing legends Bobby and Al Unser and their domination of the Indy 500 and Pikes Peak from the 60's through to the 90's.

The film takes place in the pre-war years. NKVD captain Frolov is investigating a sabotage at a chemical plant. Suspicion falls on circus performer Erwin Gross. However, the villainous murder of a clown suspends the investigation. It is only with the help of young circus gymnasts that Frolov manages to establish the truth...

A moody portrait of Lithuanian Jewish writer and literary critic Jokūbas Josadė, who looks back on his wasted life.

The personal collaboration between Kiran Acharya and Clint Mansell is an early combination of documentary film and augmented reality.

Yim and his imaginary friend Yoyo have the most wonderful adventures together. But what happens if Yim can make a real friend?

Horror-comedy set in a spooky mansion.

2 almost inseparable friends. The talented painter recognized by all decided to leave the town where they live and become an artist and the shy poet who only sees his future in his mother's business.

Alva receives news from her long-lost husband, Russell, and goes to Africa in search of him. There, she finds that her husband is being "held prisoner" by a naked native princess, called Loma. Now, in order to bring Russell back home, Alva must show that she's better than the princess.

Chris Wilcha helped adapt This American Life to television. His new documentary embodies the spirit of that show as he tries to save a New Jersey record store, in this comic yet deeply moving reflection on opportunities lost and gained.

In October 2013, four old friends met up together for the first time in years.

Erbarme dich - Matthäus Passion Stories is a labyrinthine narrative in which notables such as Peter Sellars, Emio Greco, Simon Halsey and painter Rinke Nijburg explain their special relationship with Bach’s St Matthew Passion to Ramón Gieling (Johan Cruijff: en un momento dado). They speak against the backdrop of a church which has fallen into disrepair, while a choir of homeless people and Pieter Jan Leusink’s Bach Choir & Orchestra rehearse the Passion. Leusink isn't just the conductor, he is one of the main characters himself, with a painful past in which this musical piece has played a dominant role. Stories from the others alternate seamlessly with this. We learn how the St Matthew Passion played a decisive role in the relations between men and women, fathers and sons, fathers and daughters, mothers and their unborn children, and finally that in spite of our differences we all find a common denominator in the secret of Bach's music.