Yaanum Theeyavan
Mike is a fun-loving youngster who falls for Sowmya. At one point, the elope from their houses only to get married with the help of their friends. Things turn an ugly turn, when Mike runs a the ruthless serial killer Pasupathy on the wrong side. Pasupathy and his associates who take them as his hostages and start torturing the young couple. Meanwhile the city police led by senior officer Jayaprkash are entrusted with the job of eliminating Pasupathy. What happens in their lives forms the rest.
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A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Pretty Bloody: The Women of Horror
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Object: Alimony
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Les Bodin’s partent en vrille
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Hello...?
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Contigo, contigo y sin mí
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Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé