Two urban, liberal couples in their 30s decide to help a Russian friend escape to Austria. Though initially thrilled by this adventure, the Austrians soon find the very foundations of their friendships and relationships are threatened.

The stooges are traveling salesmen stranded in Valeska, a tropical country prone to earthquakes. Having no luck selling fur coats to the natives they are arrested when they receive a telegram instructing them to "get rid of present wardrobe" and an official thinks they are planning to assassinate president Ward Robey. With the help of Rita, a beautiful revolutionary, the boys escape a firing squad, and are sent on a mission to deliver important plans to the revolutionary leader. When they deliver a rolled up calendar by mistake, they are once again heading for a firing squad but are spared when Rita arrives with the real plans.

The life and career of filmmaker Sam Peckinpah as told from his daughter's perspective. She travels to his final home to learn more about his life and work.

Clémence and her parents take part in a big country picnic. Arriving late, Clémence joins the other children who are already playing away from the adults, but it doesn't turn out to be as much fun as she expected.

In the tradition of Sunday Too Far Away, this independent film is based on the classic Australian play by John Power. Pic tells the story of a group of miners living in a camp in outback Australia. They swear, brawl, gamble, and drink heavily. Central to the story is the conflict between Tarzan, the authoritarian group leader and cocky loud-mouth wisecracking Pansy. This results in a bare-knuckle punch-up for the movie's denouement.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

From the birthplace of boxing legend Mike Tyson, young women brawl in secret fight clubs to win $1000 and invaluable street cred.

A perfect fusion of poetry and film, with dense layered imagery and music from electro pioneers Louise and Bebe Barron. The writer Anaïs Nin provides dialogue from her novella “House of Incest” and appears adrift in the undersea realm of Atlantis before ascending to dry land.

The Yakimanka Center for Contemporary Art is one of the most important institutions of contemporary art in the 90s in Moscow. It was here that the first open platform for all forms of self-expression was created. New artists, gallery owners and curators appeared here, the main events of the artistic life of the last decade of the twentieth century took place.

A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Based on the real-life experiences of a friend, Antonio Vasaturo’s striking 15-minute film follows a young man rebuilding his body after illness. As his obsession with his physique intensifies, he embarks on a new journey of discovery as an attraction to similar bodies arises. Told through a series of vignettes centred around its protagonist, also the heart is a muscle, is an experimental portrait of a complex, but relatable character.

After finding a magic wig that turns him into the drag super-shero, Maxxie LaWow, a shy young barista, Simon, must find the town's missing queens and rescue them from Dyna Bolical, an ambitious queen bent on harvesting their magical anti-aging tears.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Chronicles the life and art of Henri Matisse (1869-1954), the French painter whose innovative style and use of color changed the face of 20th-century art. An Essay on Matisse was nominated for an Academy Award in the documentary short category. It was originally broadcast on PBS.

A bunch of unemployed and unqualified workers are hired to unload a few railway wagons. Because of the low wages, the manager needs to encourage the workers in some other way.

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival