Sniffles the mouse's non-stop talking foils both the burglar and a tipsy Officer Bear, who's trying to sneak past his rolling pin-toting, sleepwalking wife.

An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.

Three teens face their inner wildness on a dreamlike journey when they decide to peek under the hair of God.

A company wants to make a play about Mont Valerien resistant fighters who were shot by the Nazis and the French collaborators.

In the heart of Saigon, there's a place where promises are still written in blood.

Footage of a cat named Max.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.

The police try to recover the blueprint of a newly designed submarine after it is stolen by enemy spies.

A young actor and his wife undergoing an IRS audit have more to worry about than the usual cheating when the IRS secretary turns out to be hot for the wife and the auditor turns out to be an ex-trick of the actor.

Story concerns a paper mill, a mortgage and the struggle to obtain the lost formula for making paper from seaweed. Star is given opportunity to introduce many daredevil features.

In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.

In Ub Iwerks' The Frog Pond, many frogs are singing and having a good time until a big bully frog takes some food and basically orders a house built on his lily pond.

One of two sisters goes out of her way to make life miserable for everyone in her family; the other one just wants to be happy. Everything is resolved after a nasty scene at Papa's funeral.

Amar Kanwar’s A Season Outside is a thought provoking quest to investigate the futility or validity of violence. The film employs several codes of conflict and discord—from the territorial border of India and Pakistan to visuals of Tibetan refugee settlement— to satiate the curiosity to posit violence as a credible response to hurt and harm. It questions its worthiness as device to exact revenge on the transgressor.

A serial killer is purposely released from an asylum for the criminally insane so that he can continue his rampage.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.